其他
101
艺术家： 安娜斯·斯图普卡
作品：梅尔（2021）
Concepts: Lovers hug, tree grows, cow milked, lips touch, baby born, and body talks. This is a hand made, painted food tray. Just like coming back to home and taking off underwear, we seek for real relaxation of our bodies as women. We look for a place that gives us comfort and domestic imagination. We build for an environment where my actions would not be questioned, so as my gender. Tags: Gouache on Poplar wood, finished with GF non-toxic salad bowl finish Size: 10*10inch
Concepts: Lovers hug, tree grows, cow milked, lips touch, baby born, and body talks. This is a hand made, painted food tray. Just like coming back to home and taking off underwear, we seek for real relaxation of our bodies as women. We look for a place that gives us comfort and domestic imagination. We build for an environment where my actions would not be questioned, so as my gender. Tags: Gouache on Poplar wood, finished with GF non-toxic salad bowl finish Size: 10*10inch
482
艺术家： 王卡拉
艺术品：出生，身体，拥抱（2022）
Concepts: I wore a basketball vest with the words “Good Boy” on it front and back, old-fashioned China doll headwear, around my body taped by transparent tape to restrict physical activity, and followed a Boxing Conditioning Circuits tutorial found on YouTube as a daily morning training. Tags: Video, color, sound/Conceptual Art/Social Engaged Art Size: 11:26 min/Veriable
Concepts: I wore a basketball vest with the words “Good Boy” on it front and back, old-fashioned China doll headwear, around my body taped by transparent tape to restrict physical activity, and followed a Boxing Conditioning Circuits tutorial found on YouTube as a daily morning training. Tags: Video, color, sound/Conceptual Art/Social Engaged Art Size: 11:26 min/Veriable
142
艺术家： 熊伟
艺术品： 一个中国人在后疫情时代的第一次拳击训练（2021）
Concepts: ATTA (Attā) in Theravada Buddhism is a concept of self that includes physical body and ego that forming self, identity, and personality. In Buddhism, Attā does not exist. This work explores my experience as Thai American. Playing with the words ATTA (American Thai, Thai American) together with using American identity to form the word ATTA as a negative space, I reflect upon what has been faded away and what I have formed during my 10 years in the United States. Tags:N/A Size: 16*16
Concepts: ATTA (Attā) in Theravada Buddhism is a concept of self that includes physical body and ego that forming self, identity, and personality. In Buddhism, Attā does not exist. This work explores my experience as Thai American. Playing with the words ATTA (American Thai, Thai American) together with using American identity to form the word ATTA as a negative space, I reflect upon what has been faded away and what I have formed during my 10 years in the United States. Tags:N/A Size: 16*16
496
艺术家： 蓬纳帕·帕卡玛库尔
艺术品：ATTA（2020）
Concepts: The broken places are where I bloomed the most. My evolution is ongoing and dynamic as is everyone else's. This piece asks that we be gentle with ourselves and others while on this journey called life. Tags: self portrait Size: 24x36"
Concepts: The broken places are where I bloomed the most. My evolution is ongoing and dynamic as is everyone else's. This piece asks that we be gentle with ourselves and others while on this journey called life. Tags: self portrait Size: 24x36"
102
艺术家： 香奈儿安杰利
作品：请稍等，绽放中（2020）
Concepts:This work is about destruction. I imagine a knock-on effect through a little blow. I believe that everything in the world is connected, and that society, like the earth, is a continuous movement, and that all things within it will eventually come to destruction. Tags:Wood, Metal, Plaster, Paint Size: N/A
Concepts:This work is about destruction. I imagine a knock-on effect through a little blow. I believe that everything in the world is connected, and that society, like the earth, is a continuous movement, and that all things within it will eventually come to destruction. Tags:Wood, Metal, Plaster, Paint Size: N/A
621
艺术家： 乌东奥扬
艺术品：大小不一（2021）
Concepts: Knotted mom is derived from the scarf that my mom sent me. It represents love and care from a distance. The love then transform into a gesture of hug and it becomes a platform to hold two sculptures that I made. My relationship with my mom is subtle. We don’t explicit express our love but we innately support each other (like the arms in my sculpture).
I’m now far away from home and her image is becoming vogue. The crashed candy on the top of my sculpture represent sweetness of my relationship with mom. And also makes the whole structure subtle and act as a metaphor for memories covered with dust. Living along in an unfamiliar country, the old relationship is fading away and I now live in a vacuum. I have to build all the attachments on my own now.
Concepts: Knotted mom is derived from the scarf that my mom sent me. It represents love and care from a distance. The love then transform into a gesture of hug and it becomes a platform to hold two sculptures that I made. My relationship with my mom is subtle. We don’t explicit express our love but we innately support each other (like the arms in my sculpture).
469
艺术家：徐凤晓
艺术品：打结的妈妈（2021）
104
艺术家：辛文
艺术品：肉类市场（2020）
158
艺术家：熊伟
艺术品： G长征 (2017)
概念：生活压力造成的悲观情绪就像一个无形的牢笼，让人无法挣脱。这是一个奇怪的圈子。尽管人们如此努力地向前奔跑，奔向未来，最终我们还是回到了起点。
我在一天中午 12:00 开始了这个活动。从 12:00 到 1:00 每小时跑 100 米，然后从 1:00 到 2:00 跑 200 米，从 2:00 到 3:00 跑 300 米，然后每隔几个小时跑一次。起跑线始终相同，每小时的距离比上一条多100米。我胸前挂着的相机记录了我身体运动的胸部视图和每次跑步所花费的时间。这个每小时跑一次一直持续到次日中午 12:00，总共跑了 24 次。然后我把每段视频最后的100米，也就是上次加的新的100米距离，一起剪辑，这样我就可以在视频中完成一个2400米的跑了，但其实是从持续 24 小时的重复运动。
尺寸：可变
480
艺术家： U Tong Ao Leong
艺术品： 球项目 (2020)
概念： 这项工作分为三个部分：手、头和身体。这是一个进入逻辑和规则的过程。在我们出生在社会中的那段时间里，我们不断地被编程，而编程让我们能够交流，让社会运转起来。然而，将我们从编程中唤醒的可能是我们刚出生时求生的愿望。
标签： 木、布、铜、电缆、刹车/幻象、迷宫
尺寸：实际工作：约。 300*360*900cm
Concepts: Almost all my drawings are based on the recognition and pride of my Asian identity. Also conflict between real life and illusional world. Including my point of views on life and death, value and self cognition, losing my self and finding it back. Every drawing is a process of quarreling with myself that I am creating a world without logic but with order, where I have an opportunity to feel safe for facing up to myself.
338
艺术家：赵子君
艺术品：窥视孔（2021）
Concepts: Through this project, I would like to talk about the form and existence of life under gravity. Gravity is a force that pulls everything toward the core of the Earth, while life is growing up againsting gravity. Tags: Metal and soil Size: 18"x25"x54" (46cm x 53.5cm x 137cm)
Concepts: Through this project, I would like to talk about the form and existence of life under gravity. Gravity is a force that pulls everything toward the core of the Earth, while life is growing up againsting gravity. Tags: Metal and soil Size: 18"x25"x54" (46cm x 53.5cm x 137cm)
535
艺术家：杜心如（Esther）
艺术品： 地心引力 (2019)
357
艺术家：安玉轩
艺术品：裂缝裂缝（2020）
464
艺术家：杨彼得
艺术品：天气光环 (2021)
180
艺术家：张嘉玲
艺术品： 豆豆 (2021)
概念：当我年轻的时候，我可以想象任何东西都可以成为我的朋友并整天和他们一起玩。豆豆，一个塑料袋，是我最重要的想象力朋友之一。随着长大，这种做梦和想象的能力逐渐消失，豆豆变成了我心目中一个普通的塑料袋。希望你永远不要失去你的想象力，当你一个人的时候，它会是你最好的朋友！
标签：定格动画；富有想象力的朋友；童年
尺寸：4分30秒，1080p
669
艺术家：阿拉贝拉夏基
艺术品： 解析（2021）
概念：Parsing 是一部实验性短片，讲述一个男孩对生活中的渺小和沉思的恐惧使他疯狂地想象自己的双重版本来帮助他应对，双重现实，双重目的，另一个他？
标签：实验短片，叙事，剧本，编剧，虽然发人深省
时长：2:58 分钟
Concepts:Last year was a year of great changes in national policies and macro-control. Likewise, more young people chose to "Tang Ping" The moment in bed I think is the most comfortable and relaxing moment for most people, while the familiar smell helps relieve stress and anxiety. And taste, I think, is the most intuitive form that can make the human brain make up a state and space.
Also this work is negative because the leeks will rot and go bad over time. Just like every one of us crushed by the wheels of the times, we know that we have no way to change the status quo, but at this moment, at this moment, we can enjoy this moment of comfort. Tags:Medium: Pillows, Chives Size: 28”L*20’W
Concepts:Last year was a year of great changes in national policies and macro-control. Likewise, more young people chose to "Tang Ping" The moment in bed I think is the most comfortable and relaxing moment for most people, while the familiar smell helps relieve stress and anxiety. And taste, I think, is the most intuitive form that can make the human brain make up a state and space.
365
艺术家：安玉轩
艺术品： 做个快乐的韭菜(2021)
Concepts: Most of people who do not learn color do not know anyone of subculture and my artwork, as a “middleman”, hope to make people know more about subculture and make people accept them Size: 24cm*36cm
Concepts: Most of people who do not learn color do not know anyone of subculture and my artwork, as a “middleman”, hope to make people know more about subculture and make people accept them Size: 24cm*36cm
203
艺术家：亚瑟云哲
艺术品： 亚文化 (2021)
Concepts: During the beginning phases of the pandemic, I wanted to create a series that embodied a more calming sense of self. There was a tremendous amount of fear, confusion, and an overwhelming amount of the unknown that I wanted to channel into this work. Tags: Paper works, 3-D works, shadowbox Size: 16.75” (w) x 20.75” (h)
Concepts: During the beginning phases of the pandemic, I wanted to create a series that embodied a more calming sense of self. There was a tremendous amount of fear, confusion, and an overwhelming amount of the unknown that I wanted to channel into this work. Tags: Paper works, 3-D works, shadowbox Size: 16.75” (w) x 20.75” (h)
194
艺术家：艾梅艾梅
艺术品： 稳定的;稳定2.0；稳定3.0；稳定 0.63(2022)
373
艺术家：贾岩
艺术品： 生态系统（2021）
705
艺术家：张海蒂
艺术品： 缺席：自画像（2014 年至今）
Concepts: The table is made of Cherry wood and entirely by hand tools(hand-carved joineries and hand-plained parts). The work is inspired by a childhood lullaby that my mom sang to my twin sister and I when we were little called Hey Diddle Diddle, where one phrase of the rhyme goes"the cow jumped over the moon", suggesting a nature's and animal's connotations of wholesomeness, love and comfort in English culture.
Growing up in a Chinese urban center, my sister and I lived in an apartment building among the skyscrapers and played in the urban parks. We used to sit under trees and fantasized about living in the wild and farms playing with animals, and the Hey Diddle Diddle lullaby became a central piece of our fun and dreams.
Tags: Cherry Wood, Acrylic paint, Natural Wood Finish, Memory, Chinese Modernism, Childhood, Fantasy Size: 38 x 25 x 18 inches
Concepts: The table is made of Cherry wood and entirely by hand tools(hand-carved joineries and hand-plained parts). The work is inspired by a childhood lullaby that my mom sang to my twin sister and I when we were little called Hey Diddle Diddle, where one phrase of the rhyme goes"the cow jumped over the moon", suggesting a nature's and animal's connotations of wholesomeness, love and comfort in English culture.
522
艺术家：王紫妍
艺术品： 牛过月 (2021)
Concepts: An oversized western style belt buckle was created from an aluminum cast to wear and perform in. In this instance, the person who wears it is receiving a blowjob from a guy in the military suit, to show a reversal of overall dominance. Aluminum is an archival and strong material, but once coated in layers of paint, its surface identity is vulnerable.
Many people pressure boys to feel as if they should not put much care into their outfits, as if they do, they might be labeled “fragile” or “girly”. But I think there is nothing wrong with that. Boys are not only meant to do hardcore work, and being fabulous doesn’t relate to gender. Size: Width (cm) 61 Length (cm) 5 Height (cm) 51 Weight 3kg
Concepts: An oversized western style belt buckle was created from an aluminum cast to wear and perform in. In this instance, the person who wears it is receiving a blowjob from a guy in the military suit, to show a reversal of overall dominance. Aluminum is an archival and strong material, but once coated in layers of paint, its surface identity is vulnerable.
117
艺术家：王一伟
艺术品： 解开（2019）
592
艺术家：Yu-Jung (Tina) Lai
艺术品： 在两个世界中寻找清晰和自己（2018）
563
艺术家：刘一之
艺术品： 鱼干
概念：人们常用“咸鱼”来形容懒惰的状态。有一天，我在回家的路上沿着东河散步。我看到一条鱼搁浅了。它还活着。我翻过栅栏帮助它回到水中。那一刻，我想起了“干鱼”这个词。跳跃的鱼在死亡中证明了生命力的存在。我认为懒惰的人也有隐藏的活力。我扫描了我朋友的生活空间和我的身体，并将它们置于虚拟的环境中。这些生命片也记录了我们的生命力。我使用 Unity 作为我当前数字作品的主要载体，因为我想为观众提供更真实的虚拟体验，试图体现在虚拟空间中创造新世界的理念。在虚拟空间中创造新世界的过程类似于艺术装置的过程。此外，我认为这个新世界的创造是我所居住的物质世界的投影。要执行
将物理现实转换为数字空间的概念，我使用 3D 扫描技术在虚拟世界中引入包括我自己在内的生活环境。在屏幕录制视频中，观众可以预览虚拟世界。我减少了走路对玩家相机的影响，它给观众一种在视频中飞翔的感觉。玩家可以在空间中跳跃。跳跃也带来欢乐
视频。此外，视频中的声音是创作过程中最有趣的部分之一。凌乱的鼓点和录音片段为人造空间提供了自然生命的气息。同时
标签： 互动视频
Concepts: N/A Tags: Self-portrait Size: 68*92 inch
Concepts: N/A Tags: Self-portrait Size: 68*92 inch
456
艺术家：坎迪丝·卢
艺术品： 仙女 (2021)
486
艺术家：余世宇
艺术品： 三灵（2022）
概念：小时候看过Dorey的插画版《圣诞颂歌》，对三鬼的形象记忆犹新，这部作品就是受这本书启发的。与“音乐”相反，这是一部叙事作品，旨在创造具体的印象。
标签：声音艺术
时长：6:28 分钟
Concepts:In this performance Delivery, I packed chicken bones, pig bones, cartridges, and clock hands and cartridges into different product boxes, and then delivered these boxes to market’s shelves. I intend to draw attention to the labor involved in the production processes that easily being overlooked under the all-pervasive influences of consumerism. Tags: N/A Size: Duration: 00:04:50; Framed Print*39, 8.5*11in. Each
Concepts:In this performance Delivery, I packed chicken bones, pig bones, cartridges, and clock hands and cartridges into different product boxes, and then delivered these boxes to market’s shelves. I intend to draw attention to the labor involved in the production processes that easily being overlooked under the all-pervasive influences of consumerism. Tags: N/A Size: Duration: 00:04:50; Framed Print*39, 8.5*11in. Each
626
艺术家：张怡然
艺术品：交付（2019）
348
艺术家：尚哲兴
艺术品：无题（2022）
337
艺术家：赵子君
艺术品：欢乐葬礼（2021）
663
艺术家：阿拉贝拉夏基
艺术品： 玫瑰 (2020)
《概念：玫瑰》是一部屡获殊荣的惊悚短片。故事以超现实的风格展开，主角是一位似乎无法回忆失踪的芭蕾舞演员朋友的事件的芭蕾舞演员，她不禁感到内疚。西格蒙德·弗洛伊德（Sigmund Freud）的“压抑”精神分析理论被展示为玫瑰可能发生的事情的片段和困扰在她的梦中困扰着莉莉，但她仍然不太记得。故事随着实时、记忆和梦想序列的结合而展开。现实和超现实主义似乎融合在一起。随着时间的流逝，莉莉和观众被迫面对真相……但每个人心中的问题是“罗斯怎么了？”
标签： 短片, 惊悚片, 获奖, 超现实, 实验, 林奇, 青春短片
时长：5分钟
633
艺术家：张怡然
艺术品：独自喝酒（2021）
Tags: Mixed Medium; Acrylic; Laser Disc; Foam; LGBTQ+; Gender; Pop Culture; Music Size: Width (cm) 1" Length (cm) 18" each sculpture (54" in total) Height (cm) 12" Weight 10lb
Tags: Mixed Medium; Acrylic; Laser Disc; Foam; LGBTQ+; Gender; Pop Culture; Music Size: Width (cm) 1" Length (cm) 18" each sculpture (54" in total) Height (cm) 12" Weight 10lb
131
艺术家：陈浩然
作品：最佳女（男）艺人 <<<女(男)歌手 (2020)
Concepts: At the time I created this illustration, I was at a time of confusion about life. I combined the three wise monkeys' gestures, and I wanted to express the idea that when you are in confusion, you should focus on self-exploration and be undisturbed by the outside world. Tags:Material: Adobe Photoshop Size: 9 x 11.25 inches
Concepts: At the time I created this illustration, I was at a time of confusion about life. I combined the three wise monkeys' gestures, and I wanted to express the idea that when you are in confusion, you should focus on self-exploration and be undisturbed by the outside world. Tags:Material: Adobe Photoshop Size: 9 x 11.25 inches
207
艺人：姜子
艺术品：自我探索（2021）
363
艺术家：安玉轩
艺术品：XXX在哪里？（2022）
Concepts: It is a ritual the formation of "form". This ritual is a process of moving from "one" to "one" in which the chaotic "one" is being imagined and understood . Through this process of organization, the shape is released. This is the first work I made after I came to the United States to study. Tags: Plywood, Canvas, Plaster, Acrylic, Metal, Water Key Words : Ritual, Map, Food, Signals, Marks, Game, Viewpoint Size: Size Varies
Concepts: It is a ritual the formation of "form". This ritual is a process of moving from "one" to "one" in which the chaotic "one" is being imagined and understood . Through this process of organization, the shape is released. This is the first work I made after I came to the United States to study. Tags: Plywood, Canvas, Plaster, Acrylic, Metal, Water Key Words : Ritual, Map, Food, Signals, Marks, Game, Viewpoint Size: Size Varies
481
艺术家：U Tong Ao Leong
艺术品：方框 I - 地图 (2021)
Concepts: “Tu Zi”, the series of biomorphic ceramic sculptures are different shapes based on growing fungus or an organism. Each of them contains holes that share the similar look of a volcano, or human mouth. I created tiny bacteria-like creatures and one growing enlarged-scale sculpture, as a harmless way for the viewers to experience the intimacy of cuteness, and the ambiguity between innocence and complication within an unfamiliar but fantasy world.
Playing with scales and multiplicity, my photography and video activates the audiences’ imagination and shows the intensity of cuteness and disconnection. I consider my work as explorations of my mind and inner-self. The dim lighting creates a sense of illness and uncanny. The dream-like setting, the familiar bedroom and experimental narrative space visualize the memory and a way of self-healing. The doll-house, as the context for the sculptures, is an immersive sheltering environment It co
The viewers are expected to see themselves in the photographs and real spaces with the automatic feelings of anxiety, emptiness and smallness. Their loneliness, fear, as well as peace resonated altogether. Tags: N/A Size: 12*13cm
Concepts: “Tu Zi”, the series of biomorphic ceramic sculptures are different shapes based on growing fungus or an organism. Each of them contains holes that share the similar look of a volcano, or human mouth. I created tiny bacteria-like creatures and one growing enlarged-scale sculpture, as a harmless way for the viewers to experience the intimacy of cuteness, and the ambiguity between innocence and complication within an unfamiliar but fantasy world.
713
艺术家： 张月娜
艺术品： 涂子(2020)
Concepts: The space between my Chinese and English name is considered to be of liminality. The awkward stages in my earlier academic years forced me to reject a particular identity just so I can fit it was very challenging and confusing and I basically had an identity crisis.
Even now I sometimes still struggle with being comfortable with my roots. That liminal space is shown in my 3D work, literally, as I placed a human in the middle to show the indecisiveness and the eeriness I sometimes experience even though both sides should be home to me. Tags: Glass Size: 11" X 14" X 11"
Concepts: The space between my Chinese and English name is considered to be of liminality. The awkward stages in my earlier academic years forced me to reject a particular identity just so I can fit it was very challenging and confusing and I basically had an identity crisis.
645
艺术家： 徐凯瑟琳
作品：明子（2018）
Concepts: This artwork finished by Photoshop. The story was inspired by walking on the California beach one day during the pandemic. As a foreigner here and faced a tough situation that I could not back to my country as I want, I kinda lost my joy here. However, when I saw the dogs fetching with their masters on the beach, that cheer just came back to my heart. All the best things might go away eventually, but the great memories will stay and go with you forever. The ocean embraces all of them.
Tags: Comic, Digital Art, Cartoon Size: 10 X 10 in
Concepts: This artwork finished by Photoshop. The story was inspired by walking on the California beach one day during the pandemic. As a foreigner here and faced a tough situation that I could not back to my country as I want, I kinda lost my joy here. However, when I saw the dogs fetching with their masters on the beach, that cheer just came back to my heart. All the best things might go away eventually, but the great memories will stay and go with you forever. The ocean embraces all of them.
537
艺术家： 冯雨欣
艺术品：海洋（2021）
Concepts: The ineffective communicate without information between peoples and let them hear what they said Tags: performance art; video Size: 4minutes and 25 seconds
Concepts: The ineffective communicate without information between peoples and let them hear what they said Tags: performance art; video Size: 4minutes and 25 seconds
213
艺术家： 陈宏宇
艺术品：回声（2022）
670
艺术家：阿拉贝拉夏基
艺术品： 只是滑翔（2021）
概念：Just Glide 讲述了一个女孩面对她对滑冰的恐惧，但焦虑袭来的故事。她最终发现，有时您需要放松并“滑行”才能成功并在生活中找到幸福。
标签：励志，短片，滑冰，有见地
时长：3分钟
Concepts: Fingers and feet were drawn on a round board. It symbolizes the Chinese phrase “指手画脚”, meaning to be very captious regarding what people do. The round board is linked to a kaleidoscope, in which, the alternating images it produces symbolized people’s clutter and always changing voices regarding the choice I made to attend an art school. 12 patterns inside the Kaleidoscope were chosen to be exhibited. Tags: Colored pencil; ink; paper collage; acrylic paint; glass; photoshop
Size: 10inch x 10inch for one piece；12 pieces in total
Concepts: Fingers and feet were drawn on a round board. It symbolizes the Chinese phrase “指手画脚”, meaning to be very captious regarding what people do. The round board is linked to a kaleidoscope, in which, the alternating images it produces symbolized people’s clutter and always changing voices regarding the choice I made to attend an art school. 12 patterns inside the Kaleidoscope were chosen to be exhibited. Tags: Colored pencil; ink; paper collage; acrylic paint; glass; photoshop
379
艺术家： 王庆庆
艺术品：人们对我指指点点（2022）
185
艺术家： 沉君涵
艺术品：辫子（2020）
632
艺术家： 小英公园
艺术品：未来 POD (2020)
668
艺术家：阿拉贝拉夏基
艺术品： 看不见脸的少女 (2020)
《概念：看不到脸的女孩》是一部魔幻现实主义短片，讲述了一个看不到脸的女孩。它采用独特的方式从女孩的角度拍摄电影，全程不显示一张脸，在电影结束时，女孩获得了与众不同的新视角。这部电影通过音乐和魔幻的感觉具有法国风格的触感。它以“故事书风格”展开，并通过轻松的浪漫激发了观众的希望。它以关于视角以及我们如何感知世界的重要信息结束，有时更重要的是发自内心地看清楚事物。
标签：短片, 浪漫, 喜剧, 获奖, 香港, 实验, 魔幻现实主义, 超现实主义
时长：5 分钟
455
艺术家： 坎迪丝·卢
作品：扶桑与开明（2021）
666
艺术家：阿拉贝拉夏基
艺术品： 巨人与魔豆 (2019)
概念：这部电影采用了经典童话故事“杰克和豆茎”，并通过现在以巨人的视角讲述这个故事，对其进行了逆转。这个故事是一个隐喻，并与观众联系起来，就像孤立和误解一样。它是在香港一栋住宅楼的52楼拍摄的，所有镜头都是从那个房间/外面的景色中获得的。
标签： 反向童话, 非常规, 视频艺术, 视频文章, 短片, 旁白, pov, covid-19电影
时长：4:56 分钟
508
艺术家：刘兰轩
艺术品： 交织二号（2021）
概念：
Intertwined No.2 是艺术家书籍的一个版本，它通过将书籍重新表述为人体的隐喻延伸来挑战传统的阅读方式。每张纸都是用蕉麻浆手工制作的，上面镶嵌着人的头发，都象征着保护身体的皮肤层。浏览这本书的动作变成了对脆弱和私密的女性身体的不可思议的调查。
标签：造纸；艺术家书
尺寸：打开时 2' X 3'
629
艺术家： 张怡然
作品：《爱》（修豆腐）（2021）
631
艺术家：张怡然
艺术品： 一对苍蝇在我的黄油旁边交配（2019）
概念：
在这次表演中，我创造了一个场景，试图在我拿着苍蝇拍的同时跟随我公寓里文件的移动。视频是24分屏，每个视频的时长都刻意不同，让观众像在看苍蝇一样盯着屏幕。由于观众只能看到我扭曲的脸，苍蝇是否存在是模棱两可的。通过改造这个日常的小动作，我打算带领观众参与到这场与隐形敌人的对抗中。
标签：不适用
尺寸：2:05
659
艺术家： 张怡然
艺术品： 家庭食谱：煎饼 (2021)