Others

Mel (2021)
Mel (2021)

press to zoom

press to zoom
Mel (2021)
Mel (2021)

press to zoom
1/2

101

Artist:  Anais Stupka

Artwork: Mel (2021)

Birth, Body, Embrace (2022)
Birth, Body, Embrace (2022)

Concepts: Lovers hug, tree grows, cow milked, lips touch, baby born, and body talks. This is a hand made, painted food tray. Just like coming back to home and taking off underwear, we seek for real relaxation of our bodies as women. We look for a place that gives us comfort and domestic imagination. We build for an environment where my actions would not be questioned, so as my gender. Tags: Gouache on Poplar wood, finished with GF non-toxic salad bowl finish Size: 10*10inch

press to zoom

press to zoom

press to zoom
Birth, Body, Embrace (2022)
Birth, Body, Embrace (2022)

Concepts: Lovers hug, tree grows, cow milked, lips touch, baby born, and body talks. This is a hand made, painted food tray. Just like coming back to home and taking off underwear, we seek for real relaxation of our bodies as women. We look for a place that gives us comfort and domestic imagination. We build for an environment where my actions would not be questioned, so as my gender. Tags: Gouache on Poplar wood, finished with GF non-toxic salad bowl finish Size: 10*10inch

press to zoom
1/5

482

Artist:  Cara Wang

Artwork: Birth, Body, Embrace (2022)

A Chinese Guy's First Boxing Conditioning In The Post Pandemic Era(2021)
A Chinese Guy's First Boxing Conditioning In The Post Pandemic Era(2021)

Concepts: I wore a basketball vest with the words “Good Boy” on it front and back, old-fashioned China doll headwear, around my body taped by transparent tape to restrict physical activity, and followed a Boxing Conditioning Circuits tutorial found on YouTube as a daily morning training. Tags: Video, color, sound/Conceptual Art/Social Engaged Art Size: 11:26 min/Veriable

press to zoom

press to zoom
A Chinese Guy's First Boxing Conditioning In The Post Pandemic Era(2021)
A Chinese Guy's First Boxing Conditioning In The Post Pandemic Era(2021)

Concepts: I wore a basketball vest with the words “Good Boy” on it front and back, old-fashioned China doll headwear, around my body taped by transparent tape to restrict physical activity, and followed a Boxing Conditioning Circuits tutorial found on YouTube as a daily morning training. Tags: Video, color, sound/Conceptual Art/Social Engaged Art Size: 11:26 min/Veriable

press to zoom
1/2

142

Artist:  Xiong Wei

Artwork:  A Chinese Guy's First Boxing Conditioning In The Post Pandemic Era(2021)

ATTA (2020)
ATTA (2020)

Concepts: ATTA (Attā) in Theravada Buddhism is a concept of self that includes physical body and ego that forming self, identity, and personality. In Buddhism, Attā does not exist. This work explores my experience as Thai American. Playing with the words ATTA (American Thai, Thai American) together with using American identity to form the word ATTA as a negative space, I reflect upon what has been faded away and what I have formed during my 10 years in the United States. Tags:N/A Size: 16*16

press to zoom
ATTA (2020)
ATTA (2020)

Concepts: ATTA (Attā) in Theravada Buddhism is a concept of self that includes physical body and ego that forming self, identity, and personality. In Buddhism, Attā does not exist. This work explores my experience as Thai American. Playing with the words ATTA (American Thai, Thai American) together with using American identity to form the word ATTA as a negative space, I reflect upon what has been faded away and what I have formed during my 10 years in the United States. Tags:N/A Size: 16*16

press to zoom
1/1

496

Artist:  Ponnapa Prakkamakul

Artwork: ATTA (2020)

Please Wait, Blooming in Progress (2020)
Please Wait, Blooming in Progress (2020)

Concepts: The broken places are where I bloomed the most. My evolution is ongoing and dynamic as is everyone else's. This piece asks that we be gentle with ourselves and others while on this journey called life. Tags: self portrait Size: 24x36"

press to zoom
Please Wait, Blooming in Progress (2020)
Please Wait, Blooming in Progress (2020)

Concepts: The broken places are where I bloomed the most. My evolution is ongoing and dynamic as is everyone else's. This piece asks that we be gentle with ourselves and others while on this journey called life. Tags: self portrait Size: 24x36"

press to zoom
1/1

102

Artist:  Chanell Angeli

Artwork: Please Wait, Blooming in Progress (2020)

Size Varies (2021)
Size Varies (2021)

Concepts:This work is about destruction. I imagine a knock-on effect through a little blow. I believe that everything in the world is connected, and that society, like the earth, is a continuous movement, and that all things within it will eventually come to destruction. Tags:Wood, Metal, Plaster, Paint Size: N/A

press to zoom

press to zoom

press to zoom
Size Varies (2021)
Size Varies (2021)

Concepts:This work is about destruction. I imagine a knock-on effect through a little blow. I believe that everything in the world is connected, and that society, like the earth, is a continuous movement, and that all things within it will eventually come to destruction. Tags:Wood, Metal, Plaster, Paint Size: N/A

press to zoom
1/5

621

Artist:   U Tong Ao Ieong

Artwork: Size Varies (2021)

Knotted mom (2021)
Knotted mom (2021)

Concepts: Knotted mom is derived from the scarf that my mom sent me. It represents love and care from a distance. The love then transform into a gesture of hug and it becomes a platform to hold two sculptures that I made. My relationship with my mom is subtle. We don’t explicit express our love but we innately support each other (like the arms in my sculpture).

press to zoom

I’m now far away from home and her image is becoming vogue. The crashed candy on the top of my sculpture represent sweetness of my relationship with mom. And also makes the whole structure subtle and act as a metaphor for memories covered with dust. Living along in an unfamiliar country, the old relationship is fading away and I now live in a vacuum. I have to build all the attachments on my own now.

press to zoom

press to zoom
Knotted mom (2021)
Knotted mom (2021)

Concepts: Knotted mom is derived from the scarf that my mom sent me. It represents love and care from a distance. The love then transform into a gesture of hug and it becomes a platform to hold two sculptures that I made. My relationship with my mom is subtle. We don’t explicit express our love but we innately support each other (like the arms in my sculpture).

press to zoom
1/5

469

Artist: Fengxiao Xu

Artwork: Knotted mom (2021)

The Meat Market(2020)
The Meat Market(2020)

press to zoom
The Meat Market#2 - Maggie Xin Wen
The Meat Market#2 - Maggie Xin Wen

press to zoom

press to zoom
The Meat Market(2020)
The Meat Market(2020)

press to zoom
1/6

104

Artist: Xin Wen

Artwork: The Meat Market(2020)

158

Artist: Xiong Wei

Artwork:  G Long March (2017)

Concepts: Pessimism caused by life stress is like an invisible cage which make people cannot break away. It's a weird circle. Although people are trying so hard to running forward, running to the future, eventually we back to the starting point.

I started this event at 12:00 noon one day. Run 100 meters in the hour from 12:00 to 1:00, then 200 meters from 1:00 to 2:00, 300 meters from 2:00 to 3:00, and so do every following hours. The starting line is always the same and the distance per hour is 100 meters more than the previous one. Cameras hung from my chest recording a chest view of my body's movements and the time spent on each run. This hourly run continued until 12:00 at noon of the following day, for a total of 24 runs. Then I captured the last 100 meters of each period of video, which was the new 100 meters distance added to the last time, and edited them together, so that I could complete a 2400 meters run in the video, but it actually came from the repetitive movement that lasted for 24 hours.​

Size: variable

480

Artist: U Tong Ao Leong

Artwork:  The Ball Project (2020)

Concepts: This work is divided into three parts: the hand, the head, and the body. It is a process of entering into logic and rules. During the time we are born in society, we are constantly being programmed, and programming allows us to communicate and allows society to function. Yet what wakes us up from the programming is probably the desire to survive when we are first born.

Tags: Wood, cloth, copper, cable, brake/ Illusion, Labyrinth

Size: Actual work : approx. 300*360*900cm

Peephole(2021)
Peephole(2021)

press to zoom

Concepts: Almost all my drawings are based on the recognition and pride of my Asian identity. Also conflict between real life and illusional world. Including my point of views on life and death, value and self cognition, losing my self and finding it back. Every drawing is a process of quarreling with myself that I am creating a world without logic but with order, where I have an opportunity to feel safe for facing up to myself.

press to zoom

press to zoom
Peephole(2021)
Peephole(2021)

press to zoom
1/4

338

Artist: Zijun Zhao

Artwork: Peephole(2021)

Gravity (2019)
Gravity (2019)

Concepts: Through this project, I would like to talk about the form and existence of life under gravity. Gravity is a force that pulls everything toward the core of the Earth, while life is growing up againsting gravity. Tags: Metal and soil Size: 18"x25"x54" (46cm x 53.5cm x 137cm)

press to zoom

press to zoom

press to zoom
Gravity (2019)
Gravity (2019)

Concepts: Through this project, I would like to talk about the form and existence of life under gravity. Gravity is a force that pulls everything toward the core of the Earth, while life is growing up againsting gravity. Tags: Metal and soil Size: 18"x25"x54" (46cm x 53.5cm x 137cm)

press to zoom
1/3

535

Artist: Xinru (Esther) Du

Artwork:  Gravity (2019)

Crack Crack(2020)
Crack Crack(2020)

press to zoom

press to zoom

press to zoom
Crack Crack(2020)
Crack Crack(2020)

press to zoom
1/5

357

Artist: Yuxuan An

Artwork: Crack Crack(2020)

Synoptic Halo (2021)
Synoptic Halo (2021)

press to zoom

press to zoom

press to zoom
Synoptic Halo (2021)
Synoptic Halo (2021)

press to zoom
1/6

464

Artist: Peter Yang

Artwork: Synoptic Halo (2021)

180

Artist: Carina Zhang

Artwork:  Dōu Dou (2021)

Concepts: When I was young, I could imagine anything to be my friend and play with them all day long. Dōu Dou, a plastic bag, is one of my most important imaginative friends. As I grew up, such ability to dream and imagine gradually disappeared, and Dōu Dou has become an ordinary plastic bag in my mind. Hope you never lose your imagination, it will be your best friend when you are alone!

Tags: stop motion; imaginative friend; childhood

Size: 4 minutes 30 seconds, 1080p 

669

Artist: Arabella Sharkey

Artwork:   Parsing (2021)

Concepts: Parsing is an experimental short film about a boy whose fears of insignificance and contemplations in life drive him mad to the process of imagining a double version of himself to help him cope, a double reality, a double purpose, another him?

Tags: experimental short film, narrative, script, screenwriting, though provoking

Duration: 2:58 minutes

Be a happy Chives(2021)
Be a happy Chives(2021)

Concepts:Last year was a year of great changes in national policies and macro-control. Likewise, more young people chose to "Tang Ping" The moment in bed I think is the most comfortable and relaxing moment for most people, while the familiar smell helps relieve stress and anxiety. And taste, I think, is the most intuitive form that can make the human brain make up a state and space.

press to zoom

Also this work is negative because the leeks will rot and go bad over time. Just like every one of us crushed by the wheels of the times, we know that we have no way to change the status quo, but at this moment, at this moment, we can enjoy this moment of comfort. Tags:Medium: Pillows, Chives Size: 28”L*20’W

press to zoom

press to zoom
Be a happy Chives(2021)
Be a happy Chives(2021)

Concepts:Last year was a year of great changes in national policies and macro-control. Likewise, more young people chose to "Tang Ping" The moment in bed I think is the most comfortable and relaxing moment for most people, while the familiar smell helps relieve stress and anxiety. And taste, I think, is the most intuitive form that can make the human brain make up a state and space.

press to zoom
1/4

365

Artist: Yuxuan An

Artwork:  Be a happy Chives(2021)

Subculture  (2021)
Subculture (2021)

Concepts: Most of people who do not learn color do not know anyone of subculture and my artwork, as a “middleman”, hope to make people know more about subculture and make people accept them Size: 24cm*36cm

press to zoom
Subculture  (2021)
Subculture (2021)

Concepts: Most of people who do not learn color do not know anyone of subculture and my artwork, as a “middleman”, hope to make people know more about subculture and make people accept them Size: 24cm*36cm

press to zoom
1/1

203

Artist: Yunzhe Arthur

Artwork:  Subculture  (2021)

Steady; Steady 2.0; Steady 3.0; Steady 0.63(2022)
Steady; Steady 2.0; Steady 3.0; Steady 0.63(2022)

Concepts: During the beginning phases of the pandemic, I wanted to create a series that embodied a more calming sense of self. There was a tremendous amount of fear, confusion, and an overwhelming amount of the unknown that I wanted to channel into this work. Tags: Paper works, 3-D works, shadowbox Size: 16.75” (w) x 20.75” (h)

press to zoom

press to zoom

press to zoom
Steady; Steady 2.0; Steady 3.0; Steady 0.63(2022)
Steady; Steady 2.0; Steady 3.0; Steady 0.63(2022)

Concepts: During the beginning phases of the pandemic, I wanted to create a series that embodied a more calming sense of self. There was a tremendous amount of fear, confusion, and an overwhelming amount of the unknown that I wanted to channel into this work. Tags: Paper works, 3-D works, shadowbox Size: 16.75” (w) x 20.75” (h)

press to zoom
1/4

194

Artist: Aimee Aimee

Artwork:  Steady; Steady 2.0; Steady 3.0; Steady 0.63(2022)

Absent: Self-Portrait (2014-Present)
Absent: Self-Portrait (2014-Present)

press to zoom

press to zoom

press to zoom
Absent: Self-Portrait (2014-Present)
Absent: Self-Portrait (2014-Present)

press to zoom
1/7

705

Artist: Hedy Zhang

Artwork:  Absent: Self-Portrait (2014-Present)

Ecosystem (2021)
Ecosystem (2021)

press to zoom

press to zoom

press to zoom
Ecosystem (2021)
Ecosystem (2021)

press to zoom
1/6

373

Artist: Jia Yan

Artwork:  Ecosystem (2021)

Cow Over The Moon (2021)
Cow Over The Moon (2021)

Concepts: The table is made of Cherry wood and entirely by hand tools(hand-carved joineries and hand-plained parts). The work is inspired by a childhood lullaby that my mom sang to my twin sister and I when we were little called Hey Diddle Diddle, where one phrase of the rhyme goes"the cow jumped over the moon", suggesting a nature's and animal's connotations of wholesomeness, love and comfort in English culture.

press to zoom

Growing up in a Chinese urban center, my sister and I lived in an apartment building among the skyscrapers and played in the urban parks. We used to sit under trees and fantasized about living in the wild and farms playing with animals, and the Hey Diddle Diddle lullaby became a central piece of our fun and dreams.

press to zoom

Tags: Cherry Wood, Acrylic paint, Natural Wood Finish, Memory, Chinese Modernism, Childhood, Fantasy Size: 38 x 25 x 18 inches

press to zoom
Cow Over The Moon (2021)
Cow Over The Moon (2021)

Concepts: The table is made of Cherry wood and entirely by hand tools(hand-carved joineries and hand-plained parts). The work is inspired by a childhood lullaby that my mom sang to my twin sister and I when we were little called Hey Diddle Diddle, where one phrase of the rhyme goes"the cow jumped over the moon", suggesting a nature's and animal's connotations of wholesomeness, love and comfort in English culture.

press to zoom
1/5

522

Artist: Ziyan Wang

Artwork:  Cow Over The Moon (2021)

Unbuckled(2019)
Unbuckled(2019)

Concepts: An oversized western style belt buckle was created from an aluminum cast to wear and perform in. In this instance, the person who wears it is receiving a blowjob from a guy in the military suit, to show a reversal of overall dominance. Aluminum is an archival and strong material, but once coated in layers of paint, its surface identity is vulnerable.

press to zoom

Many people pressure boys to feel as if they should not put much care into their outfits, as if they do, they might be labeled “fragile” or “girly”. But I think there is nothing wrong with that. Boys are not only meant to do hardcore work, and being fabulous doesn’t relate to gender. Size: Width (cm) 61 Length (cm) 5 Height (cm) 51 Weight 3kg

press to zoom
Unbuckled(2019)
Unbuckled(2019)

Concepts: An oversized western style belt buckle was created from an aluminum cast to wear and perform in. In this instance, the person who wears it is receiving a blowjob from a guy in the military suit, to show a reversal of overall dominance. Aluminum is an archival and strong material, but once coated in layers of paint, its surface identity is vulnerable.

press to zoom
1/2

117

Artist: Yiwei Wang

Artwork:  Unbuckled(2019)

Lai_Finding Clarity & Yourself in Two Worlds_1_View - Yu-Jung Tina Lai
Lai_Finding Clarity & Yourself in Two Worlds_1_View - Yu-Jung Tina Lai

press to zoom

press to zoom
Lai_Finding Clarity & Yourself in Two Worlds_1_View - Yu-Jung Tina Lai
Lai_Finding Clarity & Yourself in Two Worlds_1_View - Yu-Jung Tina Lai

press to zoom
1/2

592

Artist: Yu-Jung (Tina) Lai

Artwork:  Finding Clarity & Yourself in Two Worlds(2018)

563

Artist: Yizhi Liu 

Artwork:  Dried Fish

Concepts: People often use "dried fish( 咸鱼)" in Chinese to describe a lazy state. One day I walked along the east river on my way home. I saw a fish stranded. It was still alive. I climbed over the fence to help it return to the water. At that moment, I remembered the word "dried fish." The jumping fish proves the existence of vitality in dying. I think lazy people also have hidden vitality. I scanned my friends' living spaces and my body and placed them in a virtual nature. These life slices also record our vitality. I used Unity as the main carrier of my current digital works, because I wanted to provide the audience with a more authentic virtual experience that sought to exemplify the notion of creating a new world within a virtual space. The process of creating a new world within a virtual space is analogous to the process of an art installation. Additionally, I regarded this creation of a new world as a projection of the physical world in which I inhabit. To execute the

notion of translating a physical reality to a digital space, I used 3D scanning technique to introduce living environments including my own in the virtual world. In the screen recording video, the viewer can have a preview of the virtual worlds. I reduced the impact of walking on the player's camera, it gave the audience a feeling of flying in the video. Players can jump in the space. Jumping also brought joy to the

video. Additionally, the sound in the videos was one of the most interesting parts of the creative process. The messy drum beats and recording clips provide a breath of natural life to the artificial space. At the same
Tags: Interactive Video

TIS-THE-FAIRY (2021)
TIS-THE-FAIRY (2021)

Concepts: N/A Tags: Self-portrait Size: 68*92 inch

press to zoom
TIS-THE-FAIRY (2021)
TIS-THE-FAIRY (2021)

Concepts: N/A Tags: Self-portrait Size: 68*92 inch

press to zoom
1/1

456

Artist: Candice Lu

Artwork:  TIS-THE-FAIRY (2021)

Xu_Three Spirits_1_Cover - Simon Xu.png

486

Artist: Shiyu Yu

Artwork:   Three Spirits(2022)

Concepts: As a child, I read Dorey's illustrated version of "Christmas Carol" and remembered the image of the three ghosts very well, and this work was inspired by this book. Contrary to the "music", this is a narrative work, aiming to create concrete impressions.

Tags: Sound Art

Duration: 6:28 min

Delivery (2019)
Delivery (2019)

Concepts:In this performance Delivery, I packed chicken bones, pig bones, cartridges, and clock hands and cartridges into different product boxes, and then delivered these boxes to market’s shelves. I intend to draw attention to the labor involved in the production processes that easily being overlooked under the all-pervasive influences of consumerism. Tags: N/A Size: Duration: 00:04:50; Framed Print*39, 8.5*11in. Each

press to zoom

press to zoom

press to zoom
Delivery (2019)
Delivery (2019)

Concepts:In this performance Delivery, I packed chicken bones, pig bones, cartridges, and clock hands and cartridges into different product boxes, and then delivered these boxes to market’s shelves. I intend to draw attention to the labor involved in the production processes that easily being overlooked under the all-pervasive influences of consumerism. Tags: N/A Size: Duration: 00:04:50; Framed Print*39, 8.5*11in. Each

press to zoom
1/5

626

Artist: Yiran Zhang

Artwork: Delivery (2019)

Untitled (2022)
Untitled (2022)

press to zoom

press to zoom
Untitled (2022)
Untitled (2022)

press to zoom
1/2

348

Artist: Zhexing Shang

Artwork: Untitled (2022)

A Joy Funeral(2021)
A Joy Funeral(2021)

press to zoom

press to zoom
A Joy Funeral(2021)
A Joy Funeral(2021)

press to zoom
1/2

337

Artist: Zijun Zhao

Artwork: A Joy Funeral(2021)

663

Artist: Arabella Sharkey

Artwork:  Rose (2020)

Concepts: Rose' is an award-winning thriller short film. It unfolds in a surreal style about the protagonist, a ballerina who can't seem to recall the events of her missing ballerina friend, she can’t help but feel a sense of guilt. Sigmund Freud's 'repression' psychoanalysis theory is shown, as fragments and hauntings of what could have happened to Rose haunt Lily in her dreams, but still, she can’t quite remember. The story unfolds as real-time, memories and dream sequences unite. Reality and surrealism seem to merge. In time, Lily and the audience are forced to confront the truth... but the question on everyone’s mind is “What happened to Rose?”

Tags: short film, thriller, award-winning, surreal, experimental, lynchian, youth short film

Duration: 5 minutes

Drink Alone (2021)
Drink Alone (2021)

press to zoom

press to zoom
Drink Alone (2021)
Drink Alone (2021)

press to zoom
1/2

633

Artist: Yiran Zhang

Artwork: Drink Alone (2021)

Self-exploration (2021)
Self-exploration (2021)

Concepts: At the time I created this illustration, I was at a time of confusion about life. I combined the three wise monkeys' gestures, and I wanted to express the idea that when you are in confusion, you should focus on self-exploration and be undisturbed by the outside world. Tags:Material: Adobe Photoshop Size: 9 x 11.25 inches

press to zoom
Self-exploration (2021)
Self-exploration (2021)

Concepts: At the time I created this illustration, I was at a time of confusion about life. I combined the three wise monkeys' gestures, and I wanted to express the idea that when you are in confusion, you should focus on self-exploration and be undisturbed by the outside world. Tags:Material: Adobe Photoshop Size: 9 x 11.25 inches

press to zoom
1/1

207

Artist: Neko Jiang

Artwork: Self-exploration (2021)

Box I - Map (2021)
Box I - Map (2021)

Concepts: It is a ritual the formation of "form". This ritual is a process of moving from "one" to "one" in which the chaotic "one" is being imagined and understood . Through this process of organization, the shape is released. This is the first work I made after I came to the United States to study. Tags: Plywood, Canvas, Plaster, Acrylic, Metal, Water Key Words : Ritual, Map, Food, Signals, Marks, Game, Viewpoint Size: Size Varies

press to zoom

press to zoom

press to zoom
Box I - Map (2021)
Box I - Map (2021)

Concepts: It is a ritual the formation of "form". This ritual is a process of moving from "one" to "one" in which the chaotic "one" is being imagined and understood . Through this process of organization, the shape is released. This is the first work I made after I came to the United States to study. Tags: Plywood, Canvas, Plaster, Acrylic, Metal, Water Key Words : Ritual, Map, Food, Signals, Marks, Game, Viewpoint Size: Size Varies

press to zoom
1/5

481

Artist: U Tong Ao Leong

Artwork: Box I - Map (2021)

Tu Zi(2020)
Tu Zi(2020)

Concepts: “Tu Zi”, the series of biomorphic ceramic sculptures are different shapes based on growing fungus or an organism. Each of them contains holes that share the similar look of a volcano, or human mouth. I created tiny bacteria-like creatures and one growing enlarged-scale sculpture, as a harmless way for the viewers to experience the intimacy of cuteness, and the ambiguity between innocence and complication within an unfamiliar but fantasy world.

press to zoom

Playing with scales and multiplicity, my photography and video activates the audiences’ imagination and shows the intensity of cuteness and disconnection. I consider my work as explorations of my mind and inner-self. The dim lighting creates a sense of illness and uncanny. The dream-like setting, the familiar bedroom and experimental narrative space visualize the memory and a way of self-healing. The doll-house, as the context for the sculptures, is an immersive sheltering environment It co

press to zoom

The viewers are expected to see themselves in the photographs and real spaces with the automatic feelings of anxiety, emptiness and smallness. Their loneliness, fear, as well as peace resonated altogether. Tags: N/A Size: 12*13cm

press to zoom
Tu Zi(2020)
Tu Zi(2020)

Concepts: “Tu Zi”, the series of biomorphic ceramic sculptures are different shapes based on growing fungus or an organism. Each of them contains holes that share the similar look of a volcano, or human mouth. I created tiny bacteria-like creatures and one growing enlarged-scale sculpture, as a harmless way for the viewers to experience the intimacy of cuteness, and the ambiguity between innocence and complication within an unfamiliar but fantasy world.

press to zoom
1/3

713

Artist:   Luna Zhang

Artwork:  Tu Zi(2020)

Echo (2022)
Echo (2022)

Concepts: The ineffective communicate without information between peoples and let them hear what they said Tags: performance art; video Size: 4minutes and 25 seconds

press to zoom
Echo (2022)
Echo (2022)

Concepts: The ineffective communicate without information between peoples and let them hear what they said Tags: performance art; video Size: 4minutes and 25 seconds

press to zoom
1/1

213

Artist:  Hongyu Chen

Artwork: Echo (2022)

Concepts: Fingers and feet were drawn on a round board. It symbolizes the Chinese phrase “指手画脚”, meaning to be very captious regarding what people do. The round board is linked to a kaleidoscope, in which, the alternating images it produces symbolized people’s clutter and always changing voices regarding the choice I made to attend an art school. 12 patterns inside the Kaleidoscope were chosen to be exhibited. Tags: Colored pencil; ink; paper collage; acrylic paint; glass; photoshop

press to zoom

Size: 10inch x 10inch for one piece;12 pieces in total

press to zoom

press to zoom

Concepts: Fingers and feet were drawn on a round board. It symbolizes the Chinese phrase “指手画脚”, meaning to be very captious regarding what people do. The round board is linked to a kaleidoscope, in which, the alternating images it produces symbolized people’s clutter and always changing voices regarding the choice I made to attend an art school. 12 patterns inside the Kaleidoscope were chosen to be exhibited. Tags: Colored pencil; ink; paper collage; acrylic paint; glass; photoshop

press to zoom
1/5

379

Artist:   Qingqing Wang

Artwork: People Pointing Fingers at Me (2022)

Best Fe(male) Artist 最受歡迎女(男)歌手 (2020)
Best Fe(male) Artist 最受歡迎女(男)歌手 (2020)

Tags: Mixed Medium; Acrylic; Laser Disc; Foam; LGBTQ+; Gender; Pop Culture; Music Size: Width (cm) 1" Length (cm) 18" each sculpture (54" in total) Height (cm) 12" Weight 10lb

press to zoom

press to zoom

press to zoom
Best Fe(male) Artist 最受歡迎女(男)歌手 (2020)
Best Fe(male) Artist 最受歡迎女(男)歌手 (2020)

Tags: Mixed Medium; Acrylic; Laser Disc; Foam; LGBTQ+; Gender; Pop Culture; Music Size: Width (cm) 1" Length (cm) 18" each sculpture (54" in total) Height (cm) 12" Weight 10lb

press to zoom
1/7

131

Artist: Haoran Chen

Artwork: Best Fe(male) Artist 最受歡迎女(男)歌手 (2020)

Where is XXX?(2022)
Where is XXX?(2022)

press to zoom

press to zoom
Where is XXX?(2022)
Where is XXX?(2022)

press to zoom
1/2

363

Artist: Yuxuan An

Artwork: Where is XXX?(2022)

Ming Zi (2018)
Ming Zi (2018)

Concepts: The space between my Chinese and English name is considered to be of liminality. The awkward stages in my earlier academic years forced me to reject a particular identity just so I can fit it was very challenging and confusing and I basically had an identity crisis.

press to zoom

Even now I sometimes still struggle with being comfortable with my roots. That liminal space is shown in my 3D work, literally, as I placed a human in the middle to show the indecisiveness and the eeriness I sometimes experience even though both sides should be home to me. Tags: Glass Size: 11" X 14" X 11"

press to zoom
Ming Zi (2018)
Ming Zi (2018)

Concepts: The space between my Chinese and English name is considered to be of liminality. The awkward stages in my earlier academic years forced me to reject a particular identity just so I can fit it was very challenging and confusing and I basically had an identity crisis.

press to zoom
1/2

645

Artist:  Katherine Xu

Artwork: Ming Zi (2018)

OCEAN (2021)
OCEAN (2021)

Concepts: This artwork finished by Photoshop. The story was inspired by walking on the California beach one day during the pandemic. As a foreigner here and faced a tough situation that I could not back to my country as I want, I kinda lost my joy here. However, when I saw the dogs fetching with their masters on the beach, that cheer just came back to my heart. All the best things might go away eventually, but the great memories will stay and go with you forever. The ocean embraces all of them.

press to zoom

Tags: Comic, Digital Art, Cartoon Size: 10 X 10 in

press to zoom

press to zoom
OCEAN (2021)
OCEAN (2021)

Concepts: This artwork finished by Photoshop. The story was inspired by walking on the California beach one day during the pandemic. As a foreigner here and faced a tough situation that I could not back to my country as I want, I kinda lost my joy here. However, when I saw the dogs fetching with their masters on the beach, that cheer just came back to my heart. All the best things might go away eventually, but the great memories will stay and go with you forever. The ocean embraces all of them.

press to zoom
1/3

537

Artist:  Yuxin Feng

Artwork: OCEAN (2021)

670

Artist: Arabella Sharkey

Artwork:  Just Glide (2021)

Concepts: Just Glide tells the story of a girl who faces her fear of ice skating, but anxiety strikes. She discovers in the end sometimes you need to let loose and “just glide” in order succeed and find bliss in life.

Tags: motivational, short film, ice skating, insightful

Duration: 3 minutes

The Braid (2020)
The Braid (2020)

press to zoom

press to zoom
The Braid (2020)
The Braid (2020)

press to zoom
1/2

185

Artist:   Junhan Shen

Artwork: The Braid (2020)

Future POD  (2020)
Future POD (2020)

press to zoom

press to zoom

press to zoom
Future POD  (2020)
Future POD (2020)

press to zoom
1/6

632

Artist:   Sohyoung Park

Artwork: Future POD  (2020)

668

Artist: Arabella Sharkey

Artwork:  The Girl Who Could Not See Faces (2020)

Concepts: The Girl Who Could Not See Faces' is a magical realism short film about a girl who can't see faces. It uses the unique approach of shooting a film from the perspective of the girl by not showing a single face throughout, who, by the end of the film, gains a new perspective unlike any other. The film has a French-stylistic touch to it through the music and a feeling of magic. It unfolds in a ‘storybook style’ and inspires hope in the audience through the light-hearted romance. It ends with an important message on perspective and how we can perceive the world, how sometimes it's more important to see from the heart to see things clearly.

Tags:short film, romance, comedy, award-winning, hong kong, experimental, magical realism, surreal

Duration: 5 mins

Fusang and Kaiming (2021)
Fusang and Kaiming (2021)

press to zoom