Discover Art You Love From the AAA Art Exhibition Online Gallery
Painting & Printmaking
Concepts: Yes means no. Liminality means no boundaries. Both China and America are homes for people. These two modern cities, Shanghai and New York, are under the same light. Art knows no borders. Size(w*h): 35.56cm*27.94cm
Concepts: Yes means no. Liminality means no boundaries. Both China and America are homes for people. These two modern cities, Shanghai and New York, are under the same light. Art knows no borders. Size(w*h): 35.56cm*27.94cm
228
Artist: Jinwenrui Ma
Artwork: Liminality (2022)
557
Artist: Yizhi Liu
Artwork: 2AM
603
Artist: Yuhao Chen
Artwork: Players (2021)
103
Artist: Buwei Hu
Artwork: Cat No.24 (2021)
446
Artist: Jingjing Zheng
Artwork: Wheatfield (2021)
Concepts: My inspiration for work comes from our traditional Chinese painting. Chinese people are the most sensitive to visual painting, I have placed European paintings in my work to create a dialogue on art-historical narratives, Put West art visual turned its attention towards Chinese art, Somewhat fragmented and abstracted, Through Visceral Paintings expose my vulnerability. Tags: oil on Linen Size(w*h): 81cm*106cm
Concepts: My inspiration for work comes from our traditional Chinese painting. Chinese people are the most sensitive to visual painting, I have placed European paintings in my work to create a dialogue on art-historical narratives, Put West art visual turned its attention towards Chinese art, Somewhat fragmented and abstracted, Through Visceral Paintings expose my vulnerability. Tags: oil on Linen Size(w*h): 81cm*106cm
578
Artist: Lei Zong
Artwork: Rocky Landscape(2021)
Concepts:This collage work describe a room with plants made by color paper and people made by transparent paper. It depicts the scene of my dorm. First time living in the US, dorm becomes a place that defines my new home. However, I sometimes feel I’m living in a vacuum. I am neither stay at me home town, not stay in a home that is permanently belongs to me. I am only a passenger or a ghost for my dorm. Tags: color paper, contact paper, acrylics, collage, identity, home Size(w*h): 120cm*100cm
Concepts:This collage work describe a room with plants made by color paper and people made by transparent paper. It depicts the scene of my dorm. First time living in the US, dorm becomes a place that defines my new home. However, I sometimes feel I’m living in a vacuum. I am neither stay at me home town, not stay in a home that is permanently belongs to me. I am only a passenger or a ghost for my dorm. Tags: color paper, contact paper, acrylics, collage, identity, home Size(w*h): 120cm*100cm
701
Artist: Fengxiao Xu
Artwork: Empty Room (2021)
540
Artist: Xinru (Esther) Du
Artwork: Parents (2019)
Concepts: This is an oil painting of my personal work. In this painting, I used mixed media, such as the gold Japanese foil paper. I filled the painting with little wonderful creations and ornaments to show that the whole universe belongs to my imagination's sediment and meditation. Tags: Oil painting, mixed media Size(W*H): 70cm*60cm
Concepts: This is an oil painting of my personal work. In this painting, I used mixed media, such as the gold Japanese foil paper. I filled the painting with little wonderful creations and ornaments to show that the whole universe belongs to my imagination's sediment and meditation. Tags: Oil painting, mixed media Size(W*H): 70cm*60cm
172
Artist: Reiko Numao
Artwork: Meditation (2021)
Concepts: This group of works expresses the fear that comes with the rapid loss of life, the uncertainty that comes with a chaotic world, the loneliness that comes with a period of self-isolation, and the oppression that comes with a closed space. The invisible darkness engulfs people at a time when the old world alternates with the new; when the world changes from stability to disruption; when life changes from freedom to restriction. Tags:Ink on paper Size(W*H): 21.59 inches*29.21 inches
Concepts: This group of works expresses the fear that comes with the rapid loss of life, the uncertainty that comes with a chaotic world, the loneliness that comes with a period of self-isolation, and the oppression that comes with a closed space. The invisible darkness engulfs people at a time when the old world alternates with the new; when the world changes from stability to disruption; when life changes from freedom to restriction. Tags:Ink on paper Size(W*H): 21.59 inches*29.21 inches
698
Artist: Yisha Su
Artwork: Sensing the Liminality (2021)
Concepts: “望子成龍，望女成鳳” , some of our cultural expectations and the anticipation from others limit the possibility we have. We gradually give up on our dreams, personalities, or the passion inside us and start living under other people’s mindsets. Tags: Oil Painting Size(W*H): 22cm*22cm
Concepts: “望子成龍，望女成鳳” , some of our cultural expectations and the anticipation from others limit the possibility we have. We gradually give up on our dreams, personalities, or the passion inside us and start living under other people’s mindsets. Tags: Oil Painting Size(W*H): 22cm*22cm
124
Artist: Yi-Hsuan Hsu
Artwork: Carmina Burana (2020)
Concepts: The ability that can make the gold everything seems like to bring a lot of benefits to him, but this was just greed for his profit. Finally, his ability snatches his life. Tags: Spray paint, Acrylic, Gold leaf, Oil on a wooden panel Size(W*H): 111.3cm*141.7cm
Concepts: The ability that can make the gold everything seems like to bring a lot of benefits to him, but this was just greed for his profit. Finally, his ability snatches his life. Tags: Spray paint, Acrylic, Gold leaf, Oil on a wooden panel Size(W*H): 111.3cm*141.7cm
389
Artist: Hwinchan Ko
Artwork: The King Midas (2021)
553
Artist: Lucy H West
Artwork: Nosotras
Concepts: The underwater images can be originated form Socrates’cave theory, a metaphor on how humans know the world. The prisoners in the story have to go through three phases to see the real world-the shadows of things, the reflections on the water and the reality.
The water image is in the middle of true and false, the intermediate state of shadow and reality.
Concepts: The underwater images can be originated form Socrates’cave theory, a metaphor on how humans know the world. The prisoners in the story have to go through three phases to see the real world-the shadows of things, the reflections on the water and the reality.
328
Artist: Valin Lin
Artwork: Pieces Of Us(2021)
Concepts: This painting depicts the scenery of water flowing. Although it is made by individual color blocks, these blocks flow together and create a sense of movement. It investigates relationship between parts and whole image. And this relationship could be apply to many different area(eg. individuals and groups) Tags:gouache, composition, movement, sum of the parts Size(W*H): 110cm*90cm
Concepts: This painting depicts the scenery of water flowing. Although it is made by individual color blocks, these blocks flow together and create a sense of movement. It investigates relationship between parts and whole image. And this relationship could be apply to many different area(eg. individuals and groups) Tags:gouache, composition, movement, sum of the parts Size(W*H): 110cm*90cm
700
Artist: Fengxiao Xu
Artwork: Flow (2021)
233
Artist: Farangiz Yusupova
Artwork: Neighbor's Gift (2021)
600
Artist: Yuhao Chen
Artwork: White Dog (2021)
709
Artist: RODRIGO PIEDRAHITA JUAN
Artwork: City(2021)
671
Artist: Christina Jian
Artwork: Mama (2021)
129
Artist: Yi-Hsuan Hsu
Artwork: Vast (2021)
489
Artist: Jiwoo Shin
Artwork: Sunrise (2021)
599
Artist: Yuhao Chen
Artwork: Touch (2022)
572
Artist: Jingjing Zheng
Artwork: See with your heart-Altamont, CA (2021)
586
Artist: Ruoyu Zhang
Artwork: xíngxīnggòngtóngtǐ #2
454
Artist: Decheng Cui
Artwork: F(X) (2019-2021)
Concepts: The painting portrait a night person working in front of his computer. Time had already lost its meaning to him that he no longer distinguished the boundary between day and night. Tags: Oil on canvas Size(W*H): 60cm*60cm
Concepts: The painting portrait a night person working in front of his computer. Time had already lost its meaning to him that he no longer distinguished the boundary between day and night. Tags: Oil on canvas Size(W*H): 60cm*60cm
192
Artist: Ke Yu
Artwork: Night time creature（2022)
Concepts: The Correction compared the stereotyped aesthetics of women in East Asia and the West in this work. In the background of plastic surgery, the surgery model for East Asian women is completely different from the Western stereotyped aesthetic standards for Asian women, or even the opposite. On the basis of the original self-portrait silk screen printing, I added red surgical lines and geometric patterns. Tags: silkscreen print Size(W*H): 90cm*90cm
Concepts: The Correction compared the stereotyped aesthetics of women in East Asia and the West in this work. In the background of plastic surgery, the surgery model for East Asian women is completely different from the Western stereotyped aesthetic standards for Asian women, or even the opposite. On the basis of the original self-portrait silk screen printing, I added red surgical lines and geometric patterns. Tags: silkscreen print Size(W*H): 90cm*90cm
223
Artist: Yu Chen
Artwork: Correction (2020)
Concepts: My inspiration for work comes from our traditional Chinese painting. Chinese people are the most sensitive to visual painting, I have placed European paintings in my work to create a dialogue on art-historical narratives, Put West art visual turned its attention towards Chinese art, Somewhat fragmented and abstracted, Through Visceral Paintings expose my vulnerability. Tags: oil on linen Size(W*H): 81cm*106cm
Concepts: My inspiration for work comes from our traditional Chinese painting. Chinese people are the most sensitive to visual painting, I have placed European paintings in my work to create a dialogue on art-historical narratives, Put West art visual turned its attention towards Chinese art, Somewhat fragmented and abstracted, Through Visceral Paintings expose my vulnerability. Tags: oil on linen Size(W*H): 81cm*106cm
579
Artist: Lei Zong
Artwork: It's not a Cypresses(2022)
Concepts: "Gift" discussed the issue of the “female virginity complex” in China. Here the core value of virginity is part of a wider symbolic complex in which the chastity of women is the key concept. I recalled my childhood family education, that is, to be a "good girl" and remain pure until marriage, like a brand new gift, waiting for the opening of a certain night... Tags: ink on paper Size: 120*175cm
Concepts: "Gift" discussed the issue of the “female virginity complex” in China. Here the core value of virginity is part of a wider symbolic complex in which the chastity of women is the key concept. I recalled my childhood family education, that is, to be a "good girl" and remain pure until marriage, like a brand new gift, waiting for the opening of a certain night... Tags: ink on paper Size: 120*175cm
222
Artist: Yu Chen
Artwork: Gift (2021)
Concepts: The painting is based on a 1978 photograph of a kindergarten in Shanghai. The dances and smiles of the children are in stark contrast to the Cultural Revolution that ended two years ago, and I also want to explore how the fate of these children will be affected as time goes on. Tags: Oil painting Size(W*H): 100cm*100cm
Concepts: The painting is based on a 1978 photograph of a kindergarten in Shanghai. The dances and smiles of the children are in stark contrast to the Cultural Revolution that ended two years ago, and I also want to explore how the fate of these children will be affected as time goes on. Tags: Oil painting Size(W*H): 100cm*100cm
244
Artist: Yilun Yilun
Artwork: Could you smell it? (2021)
Concepts: Inspiration from my dream. A mushroom screaming in my dream and running away from a bizarre landscape. Tags: oil pastel, acrylic on canvas Size: 99.6cm*86.36cm
Concepts: Inspiration from my dream. A mushroom screaming in my dream and running away from a bizarre landscape. Tags: oil pastel, acrylic on canvas Size: 99.6cm*86.36cm
127
Artist: Yi-Hsuan Hsu
Artwork: Screaming Mushroom (2021)
Concepts: My works centers on conception and perception, vulnerability and capability. By practicing large scale oil paintings, I try to explore the idea of personal narrative and intensified states of emotion. It allows my personal art practice connecting to broader impact, unifying personal vulnerability to the universal empathy. Tags: Oil on canvas Size(W*H): 50cm*50cm
Concepts: My works centers on conception and perception, vulnerability and capability. By practicing large scale oil paintings, I try to explore the idea of personal narrative and intensified states of emotion. It allows my personal art practice connecting to broader impact, unifying personal vulnerability to the universal empathy. Tags: Oil on canvas Size(W*H): 50cm*50cm
573
Artist: Miao Sun
Artwork: Cruising (2021)
Concepts: This is a fantasy illustration interpretation of “Liminality”. There is a dragonfly messenger in my dream who leads me to an unknown crystal world through a hazy passage. At that moment, rocky bridge that links the reality and the dreamy land falls apart behind my footsteps, while I am immersed in a state of liminality that transmit me into a new state of subconscious and imagination. Tags: Digital painting；fantasy illustration Size: 38.1*22.86cm
Concepts: This is a fantasy illustration interpretation of “Liminality”. There is a dragonfly messenger in my dream who leads me to an unknown crystal world through a hazy passage. At that moment, rocky bridge that links the reality and the dreamy land falls apart behind my footsteps, while I am immersed in a state of liminality that transmit me into a new state of subconscious and imagination. Tags: Digital painting；fantasy illustration Size: 38.1*22.86cm
636
Artist: Xu Zhang
Artwork: The Dragonfly Messenger (2022)
Concepts: #1: I colored an old photo found on google, portraying three kids in early modern China. I took the liberty of imagining their color and put them on. This process can be seen as an investigation in retrospect. Color conveys emotion, by painting the photograph I was able to make a special connection to my past and the past of our country and culture. Tags: Oil on Gessoed Masonite Board Size: (#1)23*30cm
Concept: #2: At the most private moment, we scream of incompetence, we scream of anger, of hatred, of homesick, of lack of talents, of lack of wills, of the struggling of moral, etc. These screams are usually silenced. Tags: Oil on Gessoed Masonite Board Size: (#2)30*23cm
Concepts: #1: I colored an old photo found on google, portraying three kids in early modern China. I took the liberty of imagining their color and put them on. This process can be seen as an investigation in retrospect. Color conveys emotion, by painting the photograph I was able to make a special connection to my past and the past of our country and culture. Tags: Oil on Gessoed Masonite Board Size: (#1)23*30cm
450
Artist: Dongfang Zhao
Artwork: #1: Archeology of Color #2: Scream (2021)
Concepts: Blue represents the homeland and the pressures to maintain our culture. The single pink shrimp represents the often lone road to seek out our own identity in America. The reality we see is the pink shrimp but the unseen and often unknown pressures we face are portrayed by the blue shrimp, a color we don’t associate with shrimp Tags: ballpen Size: 56*77cm
Concepts: Blue represents the homeland and the pressures to maintain our culture. The single pink shrimp represents the often lone road to seek out our own identity in America. The reality we see is the pink shrimp but the unseen and often unknown pressures we face are portrayed by the blue shrimp, a color we don’t associate with shrimp Tags: ballpen Size: 56*77cm
150
Artist: Maxine Zhou
Artwork: seen identity (2019)
Concepts: If you look inside me, you will see this. Tags: gouache and acrylic on paper Size: 61*48cm
Concepts: If you look inside me, you will see this. Tags: gouache and acrylic on paper Size: 61*48cm
164
Artist: Ran Weng
Artwork: The Heart of the Snake (2021)
Size: 75*90cm
Concepts
Size: 75*90cm
201
Artist: Yuhan Sun
Artwork: breaking (2021)
Concepts: The world is like the ocean, and we are all fish in the ocean. Everyone's fate is like a fish in a market, which has already been decided. To portray this inevitable fate, I painted the details of a fish market, in which fish meat is broken down into many different pieces. Our life is also broken down into different blocks and different details of fate, but in the face of our dismembered destiny, we are powerless. Tags: watercolor Size: 23*30.5cm
Concepts: The world is like the ocean, and we are all fish in the ocean. Everyone's fate is like a fish in a market, which has already been decided. To portray this inevitable fate, I painted the details of a fish market, in which fish meat is broken down into many different pieces. Our life is also broken down into different blocks and different details of fate, but in the face of our dismembered destiny, we are powerless. Tags: watercolor Size: 23*30.5cm
151
Artist: Maxine Zhou
Artwork: Designated Fates (2022)
Tags: Mixed material (painting, charcoal, ropes, mark pen) Size: 76*100cm
Tags: Mixed material (painting, charcoal, ropes, mark pen) Size: 76*100cm
133
Artist: Muwei Wang
Artwork: Be Appreciated And Also Appreciating (2021)
817
Artist: Noah Zhou
Artwork: LIAR_KILLER
